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Colored pencil & pen. <br> 13 x 10 in. </br> November 2015
Scratchboard. <br> 8.5 x 11 in. <br> 2015
Watercolor and newsprint on paper.<br> 12 x 8 in. <br> 2016
Graphite and red colored pencil on paper.<br> 14 x 14 in. <br> 2016
Graphite on (textured) paper. <br> 11.25 x 15 in. <br> 2015
Grahite & watercolor on paper. <br> 2016
Graphite & watercolor on paper. <br> 10.25 x 12 in. <br> 2016
Acrylic on paper. <br> 12 x 9 in. <br> 2016
Acrylic & watercolor on paper. <br> 9 x 9 in. <br> 2016
Acrylic on paper.<br> 12 x 14 in. <br> January 2016
Watercolor on paper. <br> 2016
Watercolor on paper. <br> April 2016
Colored pencil & acrylic on paper. 10 x 10 in. 2016
In April 2018, I held my first solo art show, entitled Coming into Being, at UC Santa Barbara's Mini Box
In April 2018, I held my first solo art show, entitled Coming into Being, at UC Santa Barbara's Mini Box
In April 2018, I held my first solo art show, entitled Coming into Being, at UC Santa Barbara's Mini Box
Oil on canvas. January 2020
Acrylic and pen (for only the Dance of Venus symbol) on paper. 2018
Acrylic on paper. October 2018
Acrylic on paper. October 2018
Oil on canvas. March 2020
Acrylic on canvas. June 2020
Acrylic on canvas. June 2020
This piece is a commentary on the hypersexualization of queer womxn, in particular womxn of color. Gouache on paper. <br> November 2017
Watercolor on paper. <br> September 2016
Acrylic on paper. <br> 2018
Tempera on paper. <br> September 2015
Watercolor on paper. <br> January 2018
Acrylic on paper. 2020
2015
January 2021
Pen on lavender paper. September 2020
Black ink on paper. February 2020
Pen on pink paper. October 2020
Watercolor on paper. April 2016
Pen on paper. August 2020
March 2020
September 2014
I created this collage to embrace, reclaim, and celebrate girl culture. I was influenced by feminist culture, pop music, and traditional childhood/“girly” symbols. Vinyl on wall. February 2018
Scratchboard. October 2015
I created this collage to embrace, reclaim, and celebrate girl culture. I was influenced by feminist culture, pop music, and traditional childhood/“girly” symbols. Vinyl on wall. February 2018
Acrylic & pen on paper. September2020
Each sticky note is something either I or someone else has said when they interrupted someone while they were speaking. I wanted this piece to be a commentary on communication and language and to raise questions such as, Why do we interrupt people? Do we value what we have to say more than listening to others? Is what we have to say to inerrupt another relaly more important than what they are saying? Installed for a week outside the University Center at UC Santa Barbara, December 2017.
Each sticky note is something either I or someone else has said when they interrupted someone while they were speaking. I wanted this piece to be a commentary on communication and language and to raise questions such as, Why do we interrupt people? Do we value what we have to say more than listening to others? Is what we have to say to inerrupt another relaly more important than what they are saying? Installed for a week outside the University Center at UC Santa Barbara, December 2017.
Each sticky note is something either I or someone else has said when they interrupted someone while they were speaking. I wanted this piece to be a commentary on communication and language and to raise questions such as, Why do we interrupt people? Do we value what we have to say more than listening to others? Is what we have to say to inerrupt another relaly more important than what they are saying? Installed for a week outside the University Center at UC Santa Barbara, December 2017.
Each sticky note is something either I or someone else has said when they interrupted someone while they were speaking. I wanted this piece to be a commentary on communication and language and to raise questions such as, Why do we interrupt people? Do we value what we have to say more than listening to others? Is what we have to say to inerrupt another relaly more important than what they are saying? Installed for a week outside the University Center at UC Santa Barbara, December 2017.
I created a prosthetic sculptural piece made of wire that i bent with only my hands to show the internal manifestations of anxiety represented externally. After removing the piece having
I created a prosthetic sculptural piece made of wire that i bent with only my hands to show the internal manifestations of anxiety represented externally. After removing the piece having
I created a prosthetic sculptural piece made of wire that i bent with only my hands to show the internal manifestations of anxiety represented externally. After removing the piece having
I created a prosthetic sculptural piece made of wire that i bent with only my hands to show the internal manifestations of anxiety represented externally. After removing the piece having
I created a prosthetic sculptural piece made of wire that i bent with only my hands to show the internal manifestations of anxiety represented externally. After removing the piece having
I created a prosthetic sculptural piece made of wire that i bent with only my hands to show the internal manifestations of anxiety represented externally. After removing the piece having
I created a prosthetic sculptural piece made of wire that i bent with only my hands to show the internal manifestations of anxiety represented externally. After removing the piece having
Colored pencil, watercolor & Sharpie. May 2015
Colored pencil, watercolor & Sharpie. May 2015
Letterpress print created from a linoleum block carving and type. <br> 2017
Letterpress print created from a linoleum block carving and type. <br> 2017
Etching print and watercolor. I used a small tool to carve into a sheet of plexiglass and then carefully added and removed ink until it was just right. The paper used is special (I forget the name), but it feels like cloth. I soaked and dried the paper before making the print. <br> May 2017
Etching print and watercolor. I used a small tool to carve into a sheet of plexiglass and then carefully added and removed ink until it was just right. The paper used is special (I forget the name), but it feels like cloth. I soaked and dried the paper before making the print. <br> May 2017
Etching print and watercolor. I used a small tool to carve into a sheet of plexiglass and then carefully added and removed ink until it was just right. The paper used is special (I forget the name), but it feels like cloth. I soaked and dried the paper before making the print. <br> May 2017
Etching print and watercolor. I used a small tool to carve into a sheet of plexiglass and then carefully added and removed ink until it was just right. The paper used is special (I forget the name), but it feels like cloth. I soaked and dried the paper before making the print. <br> May 2017
Letterpress print created from a linoleum block carving. <br> 2017
Letterpress print created from a linoleum block carving. <br> 2017
Letterpress print created from a linoleum block carving. <br> 2017
Letterpress print created from a linoleum block carving. <br> 2017
